OpenAlex Citation Counts

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OpenAlex is a bibliographic catalogue of scientific papers, authors and institutions accessible in open access mode, named after the Library of Alexandria. It's citation coverage is excellent and I hope you will find utility in this listing of citing articles!

If you click the article title, you'll navigate to the article, as listed in CrossRef. If you click the Open Access links, you'll navigate to the "best Open Access location". Clicking the citation count will open this listing for that article. Lastly at the bottom of the page, you'll find basic pagination options.

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Showing 1-25 of 30 citing articles:

The Nested Precarities of Creative Labor on Social Media
Brooke Duffy, Annika Pinch, Shruti Sannon, et al.
Social Media + Society (2021) Vol. 7, Iss. 2
Open Access | Times Cited: 97

Music, Digitalization, and Democracy
Johannes Brusila, Martin Cloonan, Kim Ramstedt
Popular Music & Society (2021) Vol. 45, Iss. 1, pp. 1-12
Open Access | Times Cited: 28

Descolonización de la música en TikTok: “¡Hagamos un dúo!”
Arantxa Vizcaíno-Verdú
Revista Mediterránea de Comunicación (2024) Vol. 15, Iss. 1, pp. 341-356
Open Access | Times Cited: 3

Sound Actions
Alexander Refsum Jensenius
The MIT Press eBooks (2022)
Open Access | Times Cited: 15

Digital transformation and the DIY artist: Balancing artistic integrity and economic sustainability in the digital domain
Paul G. Oliver
DIY Alternative Cultures & Society (2024) Vol. 2, Iss. 2, pp. 207-223
Open Access | Times Cited: 2

The new digital music marketing ecosystem: artist direct
Shane Murphy, Margee Hume
Creative Industries Journal (2023), pp. 1-33
Closed Access | Times Cited: 4

Musical attributes, cultural dimensions, social media: Insights for marketing music to consumers
Tridib Bandyopadhyay, Amy B. Woszczynski, Dale Crowell
Journal of Retailing and Consumer Services (2024) Vol. 82, pp. 104103-104103
Closed Access | Times Cited: 1

How the Central Sydney independent musicians use pre-established ‘online DIY’ to sustain their networking during the COVID-19 pandemic
Shams Bin Quader
Journal of International Communication (2021) Vol. 28, Iss. 1, pp. 90-109
Closed Access | Times Cited: 7

Parody in the Age of Remix
Ragnhild Brøvig
The MIT Press eBooks (2023)
Open Access | Times Cited: 2

DIY under Authoritarian Politics: Indie Music Scene in Istanbul
Yaprak Melike Uyar
Music and Politics (2024) Vol. 18
Open Access

Music PR: A Hidden History
Ellis Jones, Bethany Klein
(2024), pp. 357-370
Closed Access

Impact of social media on artistic ecosystems: An overview of DIY music cultures in India
Manisha Pathak‐Shelat
DIY Alternative Cultures & Society (2023) Vol. 1, Iss. 3, pp. 272-284
Open Access | Times Cited: 1

Affective Landscapes, Scenes, and Arrangements
Mads Krogh
Journal of Extreme Anthropology (2023) Vol. 7, Iss. 1, pp. 80-103
Open Access | Times Cited: 1

DIY Music and Contemporary Art Spaces: Centre for Contemporary Arts, Transmission and the Art-Music Nexus in Glasgow
Evangelos Chrysagis
Contemporary Music Review (2023) Vol. 42, Iss. 4, pp. 408-425
Closed Access | Times Cited: 1

Cover, Custom, and DIY? Memetic Features in Multimedia Creative Practices
José L. Besada
Contemporary Music Review (2022) Vol. 41, Iss. 4, pp. 382-400
Open Access | Times Cited: 2

Full Issue
Andrew Lang, Daniel Isgrigg, Oral Roberts, et al.
Journal of the Scholarship of Teaching and Learning for Christians in Higher Education (2023) Vol. 13, Iss. 1
Open Access

In Defense of Moving from a Music Production Curriculum to a Commercial Music Curriculum
Jeff McCoy, Christopher Brown
Journal of the Scholarship of Teaching and Learning for Christians in Higher Education (2023) Vol. 13, Iss. 1
Open Access

References

The MIT Press eBooks (2023), pp. 269-298
Open Access

Negotiating girlhood in rock music: Nandi Bushell, prodigy discourse and adult mentor-fans
Kai Arne Hansen, Tyler Bickford
Popular Music (2023) Vol. 42, Iss. 2, pp. 123-142
Open Access

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