OpenAlex is a bibliographic catalogue of scientific papers, authors and institutions accessible in open access mode, named after the Library of Alexandria. It's citation coverage is excellent and I hope you will find utility in this listing of citing articles!
If you click the article title, you'll navigate to the article, as listed in CrossRef. If you click the Open Access links, you'll navigate to the "best Open Access location". Clicking the citation count will open this listing for that article. Lastly at the bottom of the page, you'll find basic pagination options.
Requested Article:
Sensory translation between audition and vision
Charles Spence, Nicola Di Stefano
Psychonomic Bulletin & Review (2023) Vol. 31, Iss. 2, pp. 599-626
Open Access | Times Cited: 16
Charles Spence, Nicola Di Stefano
Psychonomic Bulletin & Review (2023) Vol. 31, Iss. 2, pp. 599-626
Open Access | Times Cited: 16
Showing 16 citing articles:
Prokofiev was (almost) right: A cross-cultural investigation of auditory-conceptual associations in Peter and the Wolf
Nicola Di Stefano, Alessandro Ansani, Andrea Schiavio, et al.
Psychonomic Bulletin & Review (2024) Vol. 31, Iss. 4, pp. 1735-1744
Open Access | Times Cited: 12
Nicola Di Stefano, Alessandro Ansani, Andrea Schiavio, et al.
Psychonomic Bulletin & Review (2024) Vol. 31, Iss. 4, pp. 1735-1744
Open Access | Times Cited: 12
What, if anything, can be considered an amodal sensory dimension?
Charles Spence, Nicola Di Stefano
Psychonomic Bulletin & Review (2024) Vol. 31, Iss. 5, pp. 1915-1933
Open Access | Times Cited: 11
Charles Spence, Nicola Di Stefano
Psychonomic Bulletin & Review (2024) Vol. 31, Iss. 5, pp. 1915-1933
Open Access | Times Cited: 11
Sonic branding: A narrative review at the intersection of art and science
Charles Spence, Steve Keller
Psychology and Marketing (2024) Vol. 41, Iss. 7, pp. 1530-1548
Open Access | Times Cited: 7
Charles Spence, Steve Keller
Psychology and Marketing (2024) Vol. 41, Iss. 7, pp. 1530-1548
Open Access | Times Cited: 7
Perceptual Similarity: Insights From Crossmodal Correspondences
Nicola Di Stefano, Charles Spence
Review of Philosophy and Psychology (2023) Vol. 15, Iss. 3, pp. 997-1026
Open Access | Times Cited: 13
Nicola Di Stefano, Charles Spence
Review of Philosophy and Psychology (2023) Vol. 15, Iss. 3, pp. 997-1026
Open Access | Times Cited: 13
From Bach to Pélog
Konstantinos Giannos, George Athanasopoulos, Mats B. Küssner
Music Perception An Interdisciplinary Journal (2025), pp. 1-17
Closed Access
Konstantinos Giannos, George Athanasopoulos, Mats B. Küssner
Music Perception An Interdisciplinary Journal (2025), pp. 1-17
Closed Access
Sound of freshness: Crafting multisensory experience in perfumery
Brayan Rodríguez, Monique Alves Frazon Cantu, Luis H. Reyes, et al.
Food Quality and Preference (2024) Vol. 119, pp. 105228-105228
Open Access | Times Cited: 4
Brayan Rodríguez, Monique Alves Frazon Cantu, Luis H. Reyes, et al.
Food Quality and Preference (2024) Vol. 119, pp. 105228-105228
Open Access | Times Cited: 4
Using Wearable Sensors to Study Musical Experience: A Systematic Review
Erica Volta, Nicola Di Stefano
Sensors (2024) Vol. 24, Iss. 17, pp. 5783-5783
Open Access | Times Cited: 2
Erica Volta, Nicola Di Stefano
Sensors (2024) Vol. 24, Iss. 17, pp. 5783-5783
Open Access | Times Cited: 2
The evolution of human music in light of increased prosocial behavior: a new model
Aleksey Nikolsky, Antonio Benítez‐Burraco
(2022)
Open Access | Times Cited: 11
Aleksey Nikolsky, Antonio Benítez‐Burraco
(2022)
Open Access | Times Cited: 11
The role of auditory source and action representations in segmenting experience into events
István Winkler, Susan L. Denham
Nature Reviews Psychology (2024) Vol. 3, Iss. 4, pp. 223-241
Closed Access | Times Cited: 1
István Winkler, Susan L. Denham
Nature Reviews Psychology (2024) Vol. 3, Iss. 4, pp. 223-241
Closed Access | Times Cited: 1
Should absolute pitch be considered as a unique kind of absolute sensory judgment in humans? A systematic and theoretical review of the literature
Nicola Di Stefano, Charles Spence
Cognition (2024) Vol. 249, pp. 105805-105805
Open Access | Times Cited: 1
Nicola Di Stefano, Charles Spence
Cognition (2024) Vol. 249, pp. 105805-105805
Open Access | Times Cited: 1
Marketing sonified fragrance: Designing soundscapes for scent
Charles Spence, Nicola Di Stefano, Felipe Reinoso‐Carvalho, et al.
i-Perception (2024) Vol. 15, Iss. 4
Open Access | Times Cited: 1
Charles Spence, Nicola Di Stefano, Felipe Reinoso‐Carvalho, et al.
i-Perception (2024) Vol. 15, Iss. 4
Open Access | Times Cited: 1
The role of audiovisual congruence in aesthetic appreciation of contemporary music and visual art
Lauren K. Fink, Hannah Fiehn, Melanie Wald‐Fuhrmann
Scientific Reports (2024) Vol. 14, Iss. 1
Open Access | Times Cited: 1
Lauren K. Fink, Hannah Fiehn, Melanie Wald‐Fuhrmann
Scientific Reports (2024) Vol. 14, Iss. 1
Open Access | Times Cited: 1
The evolution of human music in light of increased prosocial behavior: a new model
Aleksey Nikolsky, Antonio Benítez‐Burraco
Physics of Life Reviews (2023) Vol. 51, pp. 114-228
Open Access | Times Cited: 2
Aleksey Nikolsky, Antonio Benítez‐Burraco
Physics of Life Reviews (2023) Vol. 51, pp. 114-228
Open Access | Times Cited: 2
Music, marbling and multisensory trancing
Ruth Herbert, Jackie Walduck
The Senses and Society (2024), pp. 1-15
Open Access
Ruth Herbert, Jackie Walduck
The Senses and Society (2024), pp. 1-15
Open Access
The role of audiovisual congruence in aesthetic appreciation of contemporary music and visual art
Lauren K. Fink, Hannah Fiehn, Melanie Wald‐Fuhrmann
(2023)
Open Access | Times Cited: 1
Lauren K. Fink, Hannah Fiehn, Melanie Wald‐Fuhrmann
(2023)
Open Access | Times Cited: 1
Temporal and spatial accounts of sound perception. An overview of the main historical sources and theoretical problems
Nicola Di Stefano
Gestalt theory (2023) Vol. 45, Iss. 3, pp. 183-197
Open Access | Times Cited: 1
Nicola Di Stefano
Gestalt theory (2023) Vol. 45, Iss. 3, pp. 183-197
Open Access | Times Cited: 1
