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OpenAlex Citation Counts

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OpenAlex is a bibliographic catalogue of scientific papers, authors and institutions accessible in open access mode, named after the Library of Alexandria. It's citation coverage is excellent and I hope you will find utility in this listing of citing articles!

If you click the article title, you'll navigate to the article, as listed in CrossRef. If you click the Open Access links, you'll navigate to the "best Open Access location". Clicking the citation count will open this listing for that article. Lastly at the bottom of the page, you'll find basic pagination options.

Requested Article:

The Filmmaker as Metallurgist: Political Cinema and World Memory
Patricia Pisters
Film-Philosophy (2016) Vol. 20, Iss. 1, pp. 149-167
Open Access | Times Cited: 23

Showing 23 citing articles:

Abuse of Power Through the Prism of Contemporary Political Cinema
Tijana Perić Diligenski
Institute for political studies eBooks (2024), pp. 333-346
Open Access
Bibliography

Duke University Press eBooks (2024), pp. 281-305
Closed Access
The Information Fold

Duke University Press eBooks (2024), pp. 99-143
Closed Access
Training Perception and Affection

Duke University Press eBooks (2024), pp. 144-163
Closed Access
The Feelings of Fabulation

Duke University Press eBooks (2024), pp. 164-193
Closed Access
Soul-Assemblages

Duke University Press eBooks (2024), pp. 38-77
Closed Access
Monad, Database, Remix

Duke University Press eBooks (2024), pp. 194-219
Closed Access
Enfolding-Unfolding Aesthetics

Duke University Press eBooks (2024), pp. 78-98
Closed Access
Living in a Folded Cosmos

Duke University Press eBooks (2024), pp. 1-37
Closed Access
The Monad Next Door

Duke University Press eBooks (2024), pp. 220-242
Closed Access
Notes

Duke University Press eBooks (2024), pp. 253-280
Closed Access
Conclusion

Duke University Press eBooks (2024), pp. 243-251
Closed Access
Visualizing a ‘missing people’ in Sousa Dias’ Still Life: The filmmaker as metallurgist
David Rojinsky
International Journal of Iberian Studies (2024) Vol. 37, Iss. 1, pp. 27-43
Closed Access
Exhausted Montage
Sarah Hamblin
Cultural Politics an International Journal (2019) Vol. 15, Iss. 3, pp. 358-371
Closed Access | Times Cited: 3
Dört Konu, Bir Film: Sinemada ‘Emeği’ ve İzdüşümlerini Aramak
Hasan Yüksel
Sosyal Siyaset Konferansları Dergisi / Journal of Social Policy Conferences (2023), Iss. 84, pp. 227-248
Open Access | Times Cited: 1
The Gulliver effect: screen size, scale and frame, from cinema to mobile phones
Martine Beugnet
New Review of Film and Television Studies (2022) Vol. 20, Iss. 3, pp. 303-328
Open Access | Times Cited: 2
From Grain to Pixel
Giovanna Fossati
Amsterdam University Press eBooks (2018)
Open Access | Times Cited: 2
Sensing History. On the Uses of Medium-Specific Noise in Eastern European Found Footage Films
Melinda Blos-Jáni
Acta Universitatis Sapientiae Film and Media Studies (2018) Vol. 15, Iss. 1, pp. 137-163
Open Access | Times Cited: 1
Slow cinema and contemplative politics: radical documentary in the twenty-first century
Sarah Hamblin
Studies in Documentary Film (2019) Vol. 13, Iss. 3, pp. 214-232
Closed Access | Times Cited: 1
SPEP Plenary Address: Thinking with Fire: Elemental Philosophy and Media Technology
Patricia Pisters
The Journal of Speculative Philosophy (2023) Vol. 37, Iss. 3, pp. 271-294
Closed Access
R.I.P. – Transnational Historical Amateur FilmMemorials of the Revival and Decline of the Industries Uniting the Greater Region
Julia Wack
V&R unipress eBooks (2023), pp. 369-394
Closed Access
What remains: reviving Lumumba's legacy in music video
Chérie Rivers Ndaliko
Journal of African Cultural Studies (2018) Vol. 31, Iss. 1, pp. 53-70
Closed Access
EGYPTIAN CINEMA TREATMENT OF THE POLITICAL REALITY DURING NASSER AND SADAT ERAS
Naiera Shabaiek
World conference on media and mass communication (2019)
Open Access
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