OpenAlex Citation Counts

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OpenAlex is a bibliographic catalogue of scientific papers, authors and institutions accessible in open access mode, named after the Library of Alexandria. It's citation coverage is excellent and I hope you will find utility in this listing of citing articles!

If you click the article title, you'll navigate to the article, as listed in CrossRef. If you click the Open Access links, you'll navigate to the "best Open Access location". Clicking the citation count will open this listing for that article. Lastly at the bottom of the page, you'll find basic pagination options.

Requested Article:

How Live Performance Moves the Human Heart
Haruka Shoda, Mayumi Adachi, Tomohiro Umeda
PLoS ONE (2016) Vol. 11, Iss. 4, pp. e0154322-e0154322
Open Access | Times Cited: 42

Showing 1-25 of 42 citing articles:

How Live Music Moves Us: Head Movement Differences in Audiences to Live Versus Recorded Music
Dana Swarbrick, Dan Bosnyak, Steven R. Livingstone, et al.
Frontiers in Psychology (2019) Vol. 9
Open Access | Times Cited: 101

Live music stimulates the affective brain and emotionally entrains listeners in real time
Wiebke Trost, Caitlyn Trevor, Natalia B. Fernandez, et al.
Proceedings of the National Academy of Sciences (2024) Vol. 121, Iss. 10
Open Access | Times Cited: 9

Effects of music on the cardiovascular system
Jacquelyn Kulinski, Ernest Kwesi Ofori, Alexis Visotcky, et al.
Trends in Cardiovascular Medicine (2021) Vol. 32, Iss. 6, pp. 390-398
Open Access | Times Cited: 44

Concert experiences in virtual reality environments
Kelsey E. Onderdijk, L. Bouckaert, Edith Van Dyck, et al.
Virtual Reality (2023) Vol. 27, Iss. 3, pp. 2383-2396
Open Access | Times Cited: 21

Increase in Synchronization of Autonomic Rhythms between Individuals When Listening to Music
Nicolò F. Bernardi, Erwan Codrons, Rita di Leo, et al.
Frontiers in Physiology (2017) Vol. 8
Open Access | Times Cited: 56

The Routledge International Handbook of Neuroaesthetics
Marcos Nadal, Martin Skov
Routledge eBooks (2022)
Open Access | Times Cited: 26

Interbrain emotional connection during music performances is driven by physical proximity and individual traits
Thibault Chabin, Damien Gabriel, Alexandre Comte, et al.
Annals of the New York Academy of Sciences (2021) Vol. 1508, Iss. 1, pp. 178-195
Closed Access | Times Cited: 28

The influence of formats and preferences on the aesthetic experience of classical music concert streams.
Melanie Wald‐Fuhrmann, Katherine O’Neill, Christian Weining, et al.
Psychology of Aesthetics Creativity and the Arts (2023)
Open Access | Times Cited: 10

The Effect of Nostalgia Emotion to Brand Trust and Brand Attachment towards Repurchase Intention
Ayu Nur Hidayati Et.al
Türk bilgisayar ve matematik eğitimi dergisi (2021) Vol. 12, Iss. 3, pp. 4492-4503
Open Access | Times Cited: 18

Engaging With Contemporary Dance: What Can Body Movements Tell us About Audience Responses?
Lida Theodorou, Patrick G. T. Healey, Fabrizio Smeraldi
Frontiers in Psychology (2019) Vol. 10
Open Access | Times Cited: 21

Linking Audience Physiology to Choreography
Jiawen Han, George Chernyshov, Moe Sugawa, et al.
ACM Transactions on Computer-Human Interaction (2022) Vol. 30, Iss. 1, pp. 1-32
Closed Access | Times Cited: 11

Examining Emotion Perception Agreement in Live Music Performance
Simin Yang, Courtney N. Reed, Elaine Chew, et al.
IEEE Transactions on Affective Computing (2021) Vol. 14, Iss. 2, pp. 1442-1460
Open Access | Times Cited: 14

Measuring real-time cognitive engagement in remote audiences
Ana Levordashka, Danaë Stanton Fraser, Iain D. Gilchrist
Scientific Reports (2023) Vol. 13, Iss. 1
Open Access | Times Cited: 5

An itsy bitsy audience: Live performance facilitates infants’ attention and heart rate synchronization.
Haley E. Kragness, Matthew J. Eitel, Faith Anantharajan, et al.
Psychology of Aesthetics Creativity and the Arts (2023)
Open Access | Times Cited: 5

The Relevance of a Conductor Competition for the Study of Emotional Synchronization Within and Between Groups in a Natural Musical Setting
Thibault Chabin, Grégory Tio, Alexandre Comte, et al.
Frontiers in Psychology (2020) Vol. 10
Open Access | Times Cited: 14

Engaged and confused: Aesthetic appreciation of live and screened contemporary dance
Haeeun Lee, Charlie Ashwell, Matthias Sperling, et al.
(2024)
Open Access | Times Cited: 1

Leadership dynamics in musical groups: Quantifying effects of musical structure on directionality of influence in concert performance videos
Sanket Rajeev Sabharwal, Matthew Breaden, Gualtiero Volpe, et al.
PLoS ONE (2024) Vol. 19, Iss. 4, pp. e0300663-e0300663
Open Access | Times Cited: 1

A concert for babies: Attentional, affective, and motor responses in an infant audience
Haley E. Kragness, Bryna Berezowska, Laura K. Cirelli
Developmental Science (2022) Vol. 26, Iss. 2
Open Access | Times Cited: 7

Affective experiences to chords are modulated by mode, meter, tempo, and subjective entrainment
Carolina Labbé, Wiebke Trost, Didier Grandjean
Psychology of Music (2020) Vol. 49, Iss. 4, pp. 915-930
Closed Access | Times Cited: 9

Embodying Dynamical Systems in Music Performance
Luc Nijs, Melissa Bremmer, Dylan van der Schyff, et al.
Music Performance Research (2023) Vol. 11, pp. 58-84
Open Access | Times Cited: 3

Why Music? An Evaluation of a Music Programme for Older People in the Community
Francisca Bertília Chaves Costa, Adam Ockelford
International Journal of Music and Performing Arts (2018) Vol. 6, Iss. 2
Open Access | Times Cited: 9

The Effect of Live Bedside Music on Pain in Elderly Surgical Patients. A Unique Collaboration
Hanneke van der Wal- Huisman, Henk Groen, Erik Heineman, et al.
OBM Geriatrics (2020) Vol. 4, Iss. 3, pp. 1-13
Open Access | Times Cited: 6

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