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OpenAlex Citation Counts

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OpenAlex is a bibliographic catalogue of scientific papers, authors and institutions accessible in open access mode, named after the Library of Alexandria. It's citation coverage is excellent and I hope you will find utility in this listing of citing articles!

If you click the article title, you'll navigate to the article, as listed in CrossRef. If you click the Open Access links, you'll navigate to the "best Open Access location". Clicking the citation count will open this listing for that article. Lastly at the bottom of the page, you'll find basic pagination options.

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Showing 1-25 of 33 citing articles:

Roughness perception: A multisensory/crossmodal perspective
Nicola Di Stefano, Charles Spence
Attention Perception & Psychophysics (2022) Vol. 84, Iss. 7, pp. 2087-2114
Open Access | Times Cited: 52
Prokofiev was (almost) right: A cross-cultural investigation of auditory-conceptual associations in Peter and the Wolf
Nicola Di Stefano, Alessandro Ansani, Andrea Schiavio, et al.
Psychonomic Bulletin & Review (2024) Vol. 31, Iss. 4, pp. 1735-1744
Open Access | Times Cited: 12
What, if anything, can be considered an amodal sensory dimension?
Charles Spence, Nicola Di Stefano
Psychonomic Bulletin & Review (2024) Vol. 31, Iss. 5, pp. 1915-1933
Open Access | Times Cited: 11
Color and tone color: audiovisual crossmodal correspondences with musical instrument timbre
Lindsey Reymore, Delwin T. Lindsey
Frontiers in Psychology (2025) Vol. 15
Open Access | Times Cited: 1
Consonance and dissonance perception. A critical review of the historical sources, multidisciplinary findings, and main hypotheses
Nicola Di Stefano, Peter Vuust, Elvira Brattico
Physics of Life Reviews (2022) Vol. 43, pp. 273-304
Closed Access | Times Cited: 35
The taste of colours
Carlos Velasco, Francisco Barbosa Escobar, Charles Spence, et al.
Food Quality and Preference (2023) Vol. 112, pp. 105009-105009
Open Access | Times Cited: 19
Sensory translation between audition and vision
Charles Spence, Nicola Di Stefano
Psychonomic Bulletin & Review (2023) Vol. 31, Iss. 2, pp. 599-626
Open Access | Times Cited: 16
Perceptual Similarity: Insights From Crossmodal Correspondences
Nicola Di Stefano, Charles Spence
Review of Philosophy and Psychology (2023) Vol. 15, Iss. 3, pp. 997-1026
Open Access | Times Cited: 13
Pitch-based correspondences related to abstract concepts
Lari Vainio, Alexandra Wikström, Martti Vainio
Acta Psychologica (2025) Vol. 253, pp. 104754-104754
Closed Access
Assessing the limits on size-pitch mapping reveals the interplay between top-down and bottom-up influences on relative crossmodal correspondences
Allegra Indraccolo, Claudia Del Gatto, Tiziana Pedale, et al.
Psychological Research (2025) Vol. 89, Iss. 2
Closed Access
The connotative meanings of sound symbolism in brand names: A conceptual framework
Kosuke Motoki, Jaewoo Park, Abhishek Pathak, et al.
Journal of Business Research (2022) Vol. 150, pp. 365-373
Open Access | Times Cited: 19
From Bach to Pélog
Konstantinos Giannos, George Athanasopoulos, Mats B. Küssner
Music Perception An Interdisciplinary Journal (2025), pp. 1-17
Closed Access
Crossmodal Correspondence

Frontiers research topics (2024)
Open Access | Times Cited: 2
A taste for beauty: On the expected taste, hardness, texture, and temperature of geometric shapes
Georgiana Juravle, Emilia-Liliana Olari, Charles Spence
i-Perception (2022) Vol. 13, Iss. 5
Open Access | Times Cited: 12
The evolution of human music in light of increased prosocial behavior: a new model
Aleksey Nikolsky, Antonio Benítez‐Burraco
(2022)
Open Access | Times Cited: 11
Searching for perceptual similarity within, and between, the (chemical) senses
Charles Spence
i-Perception (2022) Vol. 13, Iss. 5, pp. 204166952211241-204166952211241
Open Access | Times Cited: 10
Marble melancholy: using crossmodal correspondences of shapes, materials, and music to predict music-induced emotions
Bruno Mesz, Sebastián Tedesco, Felipe Reinoso‐Carvalho, et al.
Frontiers in Psychology (2023) Vol. 14
Open Access | Times Cited: 5
Inducing Novel Sound–Taste Correspondences via an Associative Learning Task
Francisco Barbosa Escobar, Qian Janice Wang
Cognitive Science (2024) Vol. 48, Iss. 3
Open Access | Times Cited: 1
Should absolute pitch be considered as a unique kind of absolute sensory judgment in humans? A systematic and theoretical review of the literature
Nicola Di Stefano, Charles Spence
Cognition (2024) Vol. 249, pp. 105805-105805
Open Access | Times Cited: 1
The evolution of human music in light of increased prosocial behavior: a new model
Aleksey Nikolsky, Antonio Benítez‐Burraco
Physics of Life Reviews (2023) Vol. 51, pp. 114-228
Open Access | Times Cited: 2
Visualise the tastes from the label: A study on the taste-colour crossmodal association of crisp and dry
Mengmeng Wang, Dongning Li
Frontiers in Psychology (2022) Vol. 13
Open Access | Times Cited: 4
Bridging the color barrier: A review of techniques for improving color perception in the blind and visually impaired
Silvia Dini, Luca A. Ludovico, María Joaquina Valero Gisbert
Color Research & Application (2024) Vol. 49, Iss. 5, pp. 515-534
Closed Access
Visualize Music Using Generative Arts
Brian Man-Kit Ng, Samantha Rose Sudhoff, Haichang Li, et al.
(2024), pp. 1516-1521
Closed Access
Exploring music and visual art relationship through inquiry graphic: A semiotic analysis of visual art students’ work
Christabel Annora Paramita Parung, Acep Iwan Saidi, Yan Yan Sunarya, et al.
Arts and Humanities in Higher Education (2024)
Closed Access
Estimating Imagined Colors from Different Music Genres with Eye-Tracking
Junjie Shan, Nishizawa Taijiro, Nishihara Yoko
Procedia Computer Science (2024) Vol. 246, pp. 3684-3693
Open Access
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