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OpenAlex Citation Counts

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OpenAlex is a bibliographic catalogue of scientific papers, authors and institutions accessible in open access mode, named after the Library of Alexandria. It's citation coverage is excellent and I hope you will find utility in this listing of citing articles!

If you click the article title, you'll navigate to the article, as listed in CrossRef. If you click the Open Access links, you'll navigate to the "best Open Access location". Clicking the citation count will open this listing for that article. Lastly at the bottom of the page, you'll find basic pagination options.

Requested Article:

Conceptualising the Relationship Between Youth, Music and DIY Careers: A Critical Overview
Andy Bennett
Cultural Sociology (2018) Vol. 12, Iss. 2, pp. 140-155
Closed Access | Times Cited: 75

Showing 1-25 of 75 citing articles:

So close yet so far: DIY cultures in Portugal and Brazil
Paula Guerra
Cultural Trends (2021) Vol. 30, Iss. 2, pp. 122-138
Open Access | Times Cited: 43
Spotify and the democratisation of music
Thomas Hodgson
Popular Music (2021) Vol. 40, Iss. 1, pp. 1-17
Open Access | Times Cited: 43
The ‘cassette comeback’ debunking a tenacious narrative
Benjamin Duester
Continuum (2025), pp. 1-12
Closed Access
Thick Big Data
Dariusz Jemielniak
Oxford University Press eBooks (2020)
Closed Access | Times Cited: 36
The working life of musicians: mapping the work activities and values of early-career pop musicians in the Dutch music industry
Rick Everts, Erik Hitters, Pauwke Berkers
Creative Industries Journal (2021) Vol. 15, Iss. 1, pp. 97-117
Open Access | Times Cited: 28
‘Shit is hard, yo’: young people making a living in the creative industries
Miranda Campbell
International Journal of Cultural Policy (2018) Vol. 26, Iss. 4, pp. 524-543
Closed Access | Times Cited: 28
Taking care of business: The routines and rationales of early-career musicians in the Dutch and British music industries
Rick Everts, Jo Haynes
International Journal of Cultural Studies (2021) Vol. 24, Iss. 5, pp. 731-748
Open Access | Times Cited: 22
Milestones in music: Reputations in the career building of musicians in the changing Dutch music industry
Rick Everts, Pauwke Berkers, Erik Hitters
Poetics (2022) Vol. 92, pp. 101647-101647
Open Access | Times Cited: 15
Digital transformation and the DIY artist: Balancing artistic integrity and economic sustainability in the digital domain
Paul G. Oliver
DIY Alternative Cultures & Society (2024) Vol. 2, Iss. 2, pp. 207-223
Open Access | Times Cited: 2
The rise of independent artists and the paradox of democratisation in the digital age: Challenges faced by music artists in the new music industry
Richard Frenneaux
DIY Alternative Cultures & Society (2023) Vol. 1, Iss. 2, pp. 125-137
Open Access | Times Cited: 6
The felt value of reading zines
Ash Watson, Andy Bennett
American Journal of Cultural Sociology (2020) Vol. 9, Iss. 2, pp. 115-149
Closed Access | Times Cited: 17
Underground Artistic-Creative Scenes Between Utopias and Artivisms
Paula Guerra
Journal of Cultural Analysis and Social Change (2023) Vol. 8, Iss. 2, pp. 10-10
Open Access | Times Cited: 5
Performing sex: The representation of male and female musicians in three genres of music performance
Desmond Sergeant, Evangelos Himonides
Psychology of Music (2022) Vol. 51, Iss. 1, pp. 188-225
Open Access | Times Cited: 9
Doing it with others: The social dynamics of Do-It-Yourself musicking
Nick Crossley
DIY Alternative Cultures & Society (2023) Vol. 1, Iss. 1, pp. 79-94
Closed Access | Times Cited: 4
Working live. A sociological account of the entangled relations of liveness through festival work.
Britt Swartjes, Jo Haynes
Poetics (2023) Vol. 100, pp. 101820-101820
Open Access | Times Cited: 4
Income adequacy among creative professionals—An interplay of identities and skills
Pekka Stenholm, Kaisa Hytönen, Tommi Pukkinen, et al.
Creativity and Innovation Management (2024) Vol. 33, Iss. 3, pp. 269-284
Open Access | Times Cited: 1
Artistic Production and (Re)production: Youth Arts Programmes as Enablers of Common Cultural Dispositions
Frances Howard
Cultural Sociology (2022) Vol. 16, Iss. 4, pp. 468-485
Open Access | Times Cited: 7
Music Consumption and Technological Eclecticism: Investigating Generation Y’s Adoption and Uses of Music Technologies
Raphaël Nowak, Andy Bennett
Young (2020) Vol. 28, Iss. 4, pp. 347-362
Closed Access | Times Cited: 10
Music-making Beyond the Pub: The Importance of Community Music and DIY Enterprise in Maintaining Regional Music Scenes (Gippsland Case Study)
Cristian Stromblad, Andrea Baker
Popular Music & Society (2023) Vol. 46, Iss. 3, pp. 242-264
Closed Access | Times Cited: 3
DIY or die? A typology of DIY careers in the Portuguese independent music scenes
Ana Oliveira
DIY Alternative Cultures & Society (2023) Vol. 1, Iss. 1, pp. 20-33
Open Access | Times Cited: 3
The DIY careers of young classical musicians in neoliberal times
Rainer Prokop, Rosa Reitsamer
DIY Alternative Cultures & Society (2023) Vol. 1, Iss. 2, pp. 111-124
Open Access | Times Cited: 3
Researching Regional and Rural Music Scenes: Toward a Critical Understanding of an Under-theorized Issue
Andy Bennett, Ben Green, David Cashman, et al.
Popular Music & Society (2020) Vol. 43, Iss. 4, pp. 367-377
Closed Access | Times Cited: 8
Youth cultures and career pathways – a well-being perspective on sticker artists’ cultural and professional engagements in St. Petersburg
Nadezhda Vasileva, Päivi Honkatukia
DIY Alternative Cultures & Society (2023) Vol. 1, Iss. 1, pp. 34-47
Open Access | Times Cited: 2
Do-It-Yourself white supremacy: Linking together punk rock and white power
Nathan Katz
Poetics (2020) Vol. 82, pp. 101476-101476
Closed Access | Times Cited: 6
Pre-existing conditions
Catherine Strong, Fabian Cannizzo
Perfect Beat (2021) Vol. 21, Iss. 1
Closed Access | Times Cited: 6
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