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OpenAlex Citation Counts

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OpenAlex is a bibliographic catalogue of scientific papers, authors and institutions accessible in open access mode, named after the Library of Alexandria. It's citation coverage is excellent and I hope you will find utility in this listing of citing articles!

If you click the article title, you'll navigate to the article, as listed in CrossRef. If you click the Open Access links, you'll navigate to the "best Open Access location". Clicking the citation count will open this listing for that article. Lastly at the bottom of the page, you'll find basic pagination options.

Requested Article:

From the functions of music to music preference
Thomas Schäfer, Peter Sedlmeier
Psychology of Music (2009) Vol. 37, Iss. 3, pp. 279-300
Closed Access | Times Cited: 238

Showing 1-25 of 238 citing articles:

The psychological functions of music listening
Thomas Schäfer, Peter Sedlmeier, Christine Städtler, et al.
Frontiers in Psychology (2013) Vol. 4
Open Access | Times Cited: 490
The structure of musical preferences: A five-factor model.
Peter J. Rentfrow, Lewis R. Goldberg, Daniel J. Levitin
Journal of Personality and Social Psychology (2011) Vol. 100, Iss. 6, pp. 1139-1157
Open Access | Times Cited: 337
Music through the ages: Trends in musical engagement and preferences from adolescence through middle adulthood.
Arielle Bonneville‐Roussy, Peter J. Rentfrow, Man Xu, et al.
Journal of Personality and Social Psychology (2013) Vol. 105, Iss. 4, pp. 703-717
Closed Access | Times Cited: 232
Musical Preferences Predict Personality: Evidence From Active Listening and Facebook Likes
Gideon Nave, Juri Minxha, David M. Greenberg, et al.
Psychological Science (2018) Vol. 29, Iss. 7, pp. 1145-1158
Open Access | Times Cited: 202
The Role of Music in Everyday Life: Current Directions in the Social Psychology of Music
Peter J. Rentfrow
Social and Personality Psychology Compass (2012) Vol. 6, Iss. 5, pp. 402-416
Closed Access | Times Cited: 171
How Shared Preferences in Music Create Bonds Between People
Diana Boer, Ronald Fischer, Micha Strack, et al.
Personality and Social Psychology Bulletin (2011) Vol. 37, Iss. 9, pp. 1159-1171
Closed Access | Times Cited: 166
Exploring a rationale for choosing to listen to sad music when feeling sad
Annemieke Van den Tol, Jane Edwards
Psychology of Music (2011) Vol. 41, Iss. 4, pp. 440-465
Open Access | Times Cited: 149
Towards a holistic model of functions of music listening across cultures: A culturally decentred qualitative approach
Diana Boer, Ronald Fischer
Psychology of Music (2011) Vol. 40, Iss. 2, pp. 179-200
Closed Access | Times Cited: 119
Cultural Industries: Product–Market Characteristics, Management Challenges and Industry Dynamics
Mirva Peltoniemi
International Journal of Management Reviews (2014) Vol. 17, Iss. 1, pp. 41-68
Closed Access | Times Cited: 110
Can personality traits predict musical style preferences? A meta-analysis
Thomas Schäfer, Claudia Mehlhorn
Personality and Individual Differences (2017) Vol. 116, pp. 265-273
Closed Access | Times Cited: 110
Music Recommender Systems
Markus Schedl, Peter Knees, Brian McFee, et al.
Springer eBooks (2015), pp. 453-492
Closed Access | Times Cited: 97
Fifty shades of blue: Classification of music-evoked sadness
Henna‐Riikka Peltola, Tuomas Eerola
Musicae Scientiae (2016) Vol. 20, Iss. 1, pp. 84-102
Open Access | Times Cited: 87
“Help! I Need Somebody”: Music as a Global Resource for Obtaining Wellbeing Goals in Times of Crisis
Roni Granot, Daniel H. Spitz, Boaz R. Cherki, et al.
Frontiers in Psychology (2021) Vol. 12
Open Access | Times Cited: 86
THE INTERNATIONAL JOURNAL OF HUMANITIES & SOCIAL STUDIES
Kun Setyaning Astuti, S. Pd. Anarbuka K U K U H Prabawa
Journal of Humanities and Social Studies (2021)
Closed Access | Times Cited: 83
Atonal Music: Can Uncertainty Lead to Pleasure?
Iris Mencke, Diana Omigie, Melanie Wald‐Fuhrmann, et al.
Frontiers in Neuroscience (2019) Vol. 12
Open Access | Times Cited: 80
Viral tunes: changes in musical behaviours and interest in coronamusic predict socio-emotional coping during COVID-19 lockdown
Lauren K. Fink, Lindsay Warrenburg, Claire Howlin, et al.
Humanities and Social Sciences Communications (2021) Vol. 8, Iss. 1
Open Access | Times Cited: 73
Emotional and motivational uses of music in sports and exercise: A questionnaire study among athletes
Petri Laukka, Lina Quick
Psychology of Music (2011) Vol. 41, Iss. 2, pp. 198-215
Closed Access | Times Cited: 108
Moved by music: A typology of music listeners
Tom ter Bogt, Juul Mulder, Quinten A. W. Raaijmakers, et al.
Psychology of Music (2010) Vol. 39, Iss. 2, pp. 147-163
Closed Access | Times Cited: 105
The Song Remains the Same: A Replication and Extension of the MUSIC Model
Peter J. Rentfrow, Lewis R. Goldberg, David Stillwell, et al.
Music Perception An Interdisciplinary Journal (2012) Vol. 30, Iss. 2, pp. 161-185
Open Access | Times Cited: 94
Personal and situational influences on the functions of music listening
Fabian Greb, Wolff Schlotz, Jochen Steffens
Psychology of Music (2017) Vol. 46, Iss. 6, pp. 763-794
Closed Access | Times Cited: 86
Reasons for personal music listening: A mobile experience sampling study of emotional outcomes
William M. Randall, Nikki S. Rickard
Psychology of Music (2016) Vol. 45, Iss. 4, pp. 479-495
Closed Access | Times Cited: 84
Young people's topography of musical functions: Personal, social and cultural experiences with music across genders and six societies
Diana Boer, Ronald Fischer, Hasan Gürkan Tekman, et al.
International Journal of Psychology (2012) Vol. 47, Iss. 5, pp. 355-369
Closed Access | Times Cited: 82
The Goals and Effects of Music Listening and Their Relationship to the Strength of Music Preference
Thomas Schäfer
PLoS ONE (2016) Vol. 11, Iss. 3, pp. e0151634-e0151634
Open Access | Times Cited: 78
The effects of sedative and stimulative music on stress reduction depend on music preference
Jun Jiang, Linshu Zhou, Daphne Rickson, et al.
The Arts in Psychotherapy (2013) Vol. 40, Iss. 2, pp. 201-205
Closed Access | Times Cited: 77
Are you ready for artificial Mozart and Skrillex? An experiment testing expectancy violation theory and AI music
Joo-Wha Hong, Qiyao Peng, Dmitri Williams
New Media & Society (2020) Vol. 23, Iss. 7, pp. 1920-1935
Closed Access | Times Cited: 60
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