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OpenAlex Citation Counts

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OpenAlex is a bibliographic catalogue of scientific papers, authors and institutions accessible in open access mode, named after the Library of Alexandria. It's citation coverage is excellent and I hope you will find utility in this listing of citing articles!

If you click the article title, you'll navigate to the article, as listed in CrossRef. If you click the Open Access links, you'll navigate to the "best Open Access location". Clicking the citation count will open this listing for that article. Lastly at the bottom of the page, you'll find basic pagination options.

Requested Article:

Enacting Musical Time
Mariusz Kozak
Oxford University Press eBooks (2019)
Closed Access | Times Cited: 25

Showing 25 citing articles:

What Does Musicking Afford?
Eric Clarke
Ecological Psychology (2024) Vol. 36, Iss. 2, pp. 56-68
Open Access | Times Cited: 2
Bang your Head: Construing Beat through Familiar Drum Patterns in Metal Music
S. Hudson
Music Theory Spectrum (2021) Vol. 44, Iss. 1, pp. 121-140
Closed Access | Times Cited: 12
Kaleidoscopic Topics in the Music of György Ligeti and Thomas Adès
James Donaldson
Music Theory Online (2024) Vol. 30, Iss. 2
Open Access | Times Cited: 1
Memory as the Aspatial Domain for the Perception of Certain Genres of Contemporary Art Music
Riccardo Wanke, Vincenzo Santarcangelo
Music & Science (2021) Vol. 4
Open Access | Times Cited: 9
Intercorporeality online: anchoring in sound
Rachel Elliott
Continental Philosophy Review (2023) Vol. 56, Iss. 4, pp. 639-657
Closed Access | Times Cited: 3
Gearing Time Toward Musical Creativity: Conceptual Integration and Material Anchoring in Xenakis’ Psappha
José L. Besada, Anne-Sylvie Barthel-Calvet, Cristóbal Pagán Cánovas
Frontiers in Psychology (2021) Vol. 11
Open Access | Times Cited: 8
Speech-Based Meaning of Music
Alice Karbanová
Advances in intelligent systems and computing (2024), pp. 385-397
Closed Access
Evolvement of Syncretic Music: the Aesthetic Values of Malaysian Popular and Traditional Music
Md Jais Ismail, Fung Chiat Loo
Studia Universitatis Babeş-Bolyai Musica (2023) Vol. 68, Iss. Sp.Iss. 2, pp. 87-105
Open Access | Times Cited: 1
The influence of tonality, tempo, and musical sophistication on the listener’s time-duration estimates
Ligia Borges Silva, Michelle Phillips, José Oliveira Martins
Quarterly Journal of Experimental Psychology (2023) Vol. 77, Iss. 9, pp. 1846-1864
Open Access | Times Cited: 1
A Transformational Approach to Gesture in Shō Performance
Toru Momii
Music Theory Online (2020) Vol. 26, Iss. 4
Open Access | Times Cited: 3
Large‐Scale Structure, Performance and Brahms's Op. 119 No. 2
Adam Behan
Music Analysis (2021) Vol. 40, Iss. 1, pp. 104-130
Open Access | Times Cited: 3
Anne Teresa De Keersmaeker’sViolin Phaseand the Experience of Time, or Why Does Process Music Work?
Mariusz Kozak
Music Theory Online (2021) Vol. 27, Iss. 2
Open Access | Times Cited: 3
Some observations on autocorrelated patterns within computational meter identification
Christopher W. White
Journal of Mathematics and Music (2021) Vol. 15, Iss. 2, pp. 181-193
Open Access | Times Cited: 2
Gestural similarity, mathematics, psychology: Hints from a first experiment and some applications between pedagogy and research
Maria Mannone, Dimitri Papageorgiou
Zbornik Akademije umetnosti (2020), Iss. 8, pp. 137-153
Open Access | Times Cited: 1
Grounding the Analysis of Cognitive Processes in Music Performance: Distributed Cognition in Musical Activity by Linda T. Kaastra
Emily Payne
Music & Science (2022) Vol. 5
Open Access | Times Cited: 1
Review of John Paul Ito, Focal Impulse Theory: Musical Expression, Meter, and the Body (Indiana University Press, 2020)
Jonathan De Souza
Music Theory Online (2021) Vol. 27, Iss. 3
Open Access | Times Cited: 1
Focal Impulse Theory: Musical Expression, Meter, and the BodyEnacting Musical Time: The Bodily Experience of New Music
S. Hudson
Journal of Music Theory (2023) Vol. 67, Iss. 1, pp. 187-198
Closed Access
Action, emotion, and music-colour synaesthesia: an examination of sensorimotor and emotional responses in synaesthetes and non-synaesthetes
Caroline Curwen, Renee Timmers, Andrea Schiavio
Psychological Research (2023) Vol. 88, Iss. 2, pp. 348-362
Open Access
Geometries in sound: an investigation of embodied cognition in contemporary art music
Riccardo Wanke
Journal of New Music Research (2023) Vol. 52, Iss. 1, pp. 87-103
Closed Access
Musicological Interpretability in Generative Transformers
Nicole Cosme-Clifford, James M. Symons, Kavi Kapoor, et al.
(2023), pp. 1-9
Closed Access
Listening to Sound-based music: Defining a perceptual grammar based on morphodynamic theory
Riccardo Wanke
Gestalt theory (2023) Vol. 45, Iss. 3, pp. 199-223
Open Access
Enacting musical maquettes: A cognition-inspired compositional approach
Kenrick Ho
New Sound (2023), Iss. 61-1, pp. 172-184
Open Access
Structural Density and Clarity, Technical Death Metal, and Anomalous’s “Ohmnivalent”
Calder Hannan
Music Theory Online (2022) Vol. 28, Iss. 1
Open Access
Chapter 8. From “slow lettuce” to “striated time”
José L. Besada
Human cognitive processing (2022), pp. 163-186
Closed Access
Sound Structures and Naked Fire Gestures in Cecil Taylor’s Solo Piano Music
Mark Micchelli
Music Theory Online (2022) Vol. 28, Iss. 3
Open Access
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