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OpenAlex Citation Counts

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OpenAlex is a bibliographic catalogue of scientific papers, authors and institutions accessible in open access mode, named after the Library of Alexandria. It's citation coverage is excellent and I hope you will find utility in this listing of citing articles!

If you click the article title, you'll navigate to the article, as listed in CrossRef. If you click the Open Access links, you'll navigate to the "best Open Access location". Clicking the citation count will open this listing for that article. Lastly at the bottom of the page, you'll find basic pagination options.

Requested Article:

Rock and roll or rock and fall? Gendered framing of the rock and roll lifestyles of Amy Winehouse and Pete Doherty in British broadsheets
Pauwke Berkers, Merel Eeckelaer
Journal of Gender Studies (2013) Vol. 23, Iss. 1, pp. 3-17
Open Access | Times Cited: 31

Showing 1-25 of 31 citing articles:

We, ourselves and us: Tensions of identity, intersubjectivity and positionality stemming from the people and dancefloors project
Giulia Federica Zampini, Eveleigh Buck‐Matthews, Anthony Killick, et al.
International Journal of Drug Policy (2021) Vol. 98, pp. 103096-103096
Open Access | Times Cited: 15
Just Like Hendrix: Whiteness and the Online Critical and Consumer Reception of Rock Music in the United States, 2003–2013
Julian Schaap
Popular Communication (2015) Vol. 13, Iss. 4, pp. 272-287
Closed Access | Times Cited: 17
“These Critics (Still) Don’t Write Enough about Women Artists”
Pauwke Berkers, Marc Verboord, Frank Weij
Gender & Society (2016) Vol. 30, Iss. 3, pp. 515-539
Closed Access | Times Cited: 15
The dissonant personas of a female celebrity:Amyand the public self of Amy Winehouse
Bronwyn Polaschek
Celebrity Studies (2017) Vol. 9, Iss. 1, pp. 17-33
Closed Access | Times Cited: 15
“Maybe it’s … skin colour?” How race-ethnicity and gender function in consumers’ formation of classification styles of cultural content
Julian Schaap, Pauwke Berkers
Consumption Markets & Culture (2019) Vol. 23, Iss. 6, pp. 599-615
Open Access | Times Cited: 14
“Funky fresh dressed to impress”
Rolf Kreyer
International Journal of Corpus Linguistics (2015) Vol. 20, Iss. 2, pp. 174-204
Closed Access | Times Cited: 13
YouTube as a virtual springboard: Circumventing gender dynamics in offline and online metal music careers
Pauwke Berkers, Julian Schaap
Metal Music Studies (2015) Vol. 1, Iss. 3, pp. 303-318
Open Access | Times Cited: 9
The Sex Playlist: How Race and Ethnicity Mediate Musically “Composed” Sexual Self-Formation
Samira van Bohemen, Julian Schaap, Pauwke Berkers
Pop music, culture and identity (2020), pp. 115-128
Closed Access | Times Cited: 9
Popular Music, Technology, and the Changing Media Ecosystem
Tamás Tófalvy, Emília Barna
Pop music, culture and identity (2020)
Closed Access | Times Cited: 6
Using word embedding models to capture changing media discourses: a study on the role of legitimacy, gender and genre in 24,000 music reviews, 1999–2021
Stijn Daenekindt, Julian Schaap
Journal of Computational Social Science (2022) Vol. 5, Iss. 2, pp. 1615-1636
Open Access | Times Cited: 4
Toward the Study of Framing Found in Music Journalism
Jordan M. McClain, Myles Ethan Lascity
Popular Music & Society (2019) Vol. 43, Iss. 1, pp. 20-33
Closed Access | Times Cited: 5
Genderongelijkheid in de dagbladberichtgeving over kunst en cultuur
Pauwke Berkers, Marc Verboord, Frank Weij
Sociologie (2014) Vol. 10, Iss. 2
Open Access | Times Cited: 3
“Timeless” rock masculinities: understanding the gendered dimension of an annual Belgian radio music poll
Frederik Dhaenens
Feminist Media Studies (2021) Vol. 23, Iss. 1, pp. 154-169
Open Access | Times Cited: 4
Get her off my screen: taste-based discrimination in a high-stakes popularity contest
Tom Lane
Oxford Economic Papers (2018) Vol. 71, Iss. 3, pp. 548-563
Open Access | Times Cited: 3
Posthumous consecration in rock’s legitimating discourse
Taylor Price
Poetics (2020) Vol. 80, pp. 101431-101431
Closed Access | Times Cited: 3
Facing the music: Stereotyping of and by women in US music journalism
Kelsey N. Whipple, Renita Coleman
Journalism (2021) Vol. 23, Iss. 10, pp. 2060-2078
Closed Access | Times Cited: 3
From unwilling celebrity to authored icon: readingAmy(Kapadia, 2015)
Hannah Andrews
Celebrity Studies (2017) Vol. 8, Iss. 2, pp. 351-354
Open Access | Times Cited: 2
Writing by women or for women? Either way, You're less likely to be reviewed
Kwan Woo Kim, Phillipa Chong
Poetics (2022) Vol. 96, pp. 101737-101737
Closed Access | Times Cited: 2
Amy Winehouse: Back to Black and the Gothic
Adrian Sledmere
IASPM Journal (2018) Vol. 8, Iss. 1, pp. 117-135
Open Access | Times Cited: 1
Media bias against women in music: an empirical analysis of Italian music magazines
Andrea Mangàni
Economia Politica (2020) Vol. 38, Iss. 2, pp. 657-676
Closed Access | Times Cited: 1
“A woman left lonely”: pariah femininity and the posthumous career of Janis Joplin
Alice Masterson
Feminist Media Studies (2022) Vol. 23, Iss. 7, pp. 3354-3368
Open Access | Times Cited: 1
O gótico também é feminino : Igualdade de género numa subcultura musical
Manuel Pereira Soares
Forum Sociológico (2021) Vol. 38, pp. 15-23
Open Access | Times Cited: 1
Death of a guitar hero: The art of metal reputation maintenance
Bernard East
Metal Music Studies (2023) Vol. 9, Iss. 2, pp. 171-188
Closed Access
Young, Noisy and Angry: Voice of Baceprot and Feminism in Metal Band
Aulia Rahmawati, Syafrida Nurrachmi Febriyanti, Ririn Puspita Tutiasri
Journal of Gender Culture and Society (2023) Vol. 3, Iss. 2, pp. 55-63
Open Access
Star-spangled 'Shamisen'
Brent Keogh
Perfect Beat (2018) Vol. 19, Iss. 1, pp. 68-85
Open Access
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