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OpenAlex Citation Counts

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OpenAlex is a bibliographic catalogue of scientific papers, authors and institutions accessible in open access mode, named after the Library of Alexandria. It's citation coverage is excellent and I hope you will find utility in this listing of citing articles!

If you click the article title, you'll navigate to the article, as listed in CrossRef. If you click the Open Access links, you'll navigate to the "best Open Access location". Clicking the citation count will open this listing for that article. Lastly at the bottom of the page, you'll find basic pagination options.

Requested Article:

Promotional Ubiquitous Musics: Recording Artists, Brands, and “Rendering Authenticity”
Leslie M. Meier
Popular Music & Society (2011) Vol. 34, Iss. 4, pp. 399-415
Closed Access | Times Cited: 73

Showing 1-25 of 73 citing articles:

Control, curation and musical experience in streaming music services
Jeremy Wade Morris, Devon Powers
Creative Industries Journal (2015) Vol. 8, Iss. 2, pp. 106-122
Closed Access | Times Cited: 214
Shaping the Stream: Techniques and Troubles of Algorithmic Recommendation
K. E. Goldschmitt, Nick Seaver
Cambridge University Press eBooks (2019), pp. 63-81
Closed Access | Times Cited: 78
The Firm Foundation of Organizational Flexibility: The 360 Contract in the Digitalizing Music Industry
Matt Stahl
Canadian Journal of Communication (2012) Vol. 37, Iss. 3, pp. 441-458
Open Access | Times Cited: 95
Selling Out: Musicians, Autonomy, and Compromise in the Digital Age
Bethany Klein, Leslie M. Meier, Devon Powers
Popular Music & Society (2016) Vol. 40, Iss. 2, pp. 222-238
Open Access | Times Cited: 84
Algorithmic brands: A decade of brand experiments with mobile and social media
Nicholas Carah
New Media & Society (2015) Vol. 19, Iss. 3, pp. 384-400
Closed Access | Times Cited: 59
Rethinking Liveness in the Digital Age
Paul Sanden
Cambridge University Press eBooks (2019), pp. 178-192
Closed Access | Times Cited: 32
The Cambridge Companion to Music in Digital Culture

Cambridge University Press eBooks (2019)
Closed Access | Times Cited: 30
Brand value: how affective labour helps create brands
Nicholas Carah
Consumption Markets & Culture (2013) Vol. 17, Iss. 4, pp. 346-366
Closed Access | Times Cited: 34
Creating the Right ‘Vibe’: Emotional Labour and Musical Performance in the Recording Studio
Allan Watson, Jenna Ward
Environment and Planning A Economy and Space (2013) Vol. 45, Iss. 12, pp. 2904-2918
Open Access | Times Cited: 31
Mobilising African music: how mobile telecommunications and technology firms are transforming African music sectors
Christiaan De Beukelaer, Andrew Eisenberg
Journal of African Cultural Studies (2018) Vol. 32, Iss. 2, pp. 195-211
Open Access | Times Cited: 20
From Cautionary Chart-Topper to Friendly Beverage Anthem: Michael Jackson's “Billie Jean” and Pepsi's “Choice of a New Generation” Television Campaign
Joanna Love
Journal of the Society for American Music (2015) Vol. 9, Iss. 2, pp. 178-203
Closed Access | Times Cited: 18
Digital Technology and Cultural Practice
Nicholas Cook
Cambridge University Press eBooks (2019), pp. 5-28
Closed Access | Times Cited: 18
Branding a Cool Celebrity President: Popular Music, Political Advertising, and the 2012 Election
Joanna Love
Music and Politics (2015) Vol. IX, Iss. 2
Open Access | Times Cited: 17
Witnessing Race in the New Digital Cinema
Peter McMurray
Cambridge University Press eBooks (2019), pp. 124-146
Open Access | Times Cited: 16
Name Dropping and Product Mentions: Branding in Popular Music Lyrics
Clay Craig, Mark A. Flynn, Kyle J. Holody
Journal of Promotion Management (2017) Vol. 23, Iss. 2, pp. 258-276
Closed Access | Times Cited: 15
The Political Economy of Streaming
Martin Scherzinger
Cambridge University Press eBooks (2019), pp. 274-297
Closed Access | Times Cited: 15
On Serving as an Expert Witness in the ‘Blurred Lines’ Case
Ingrid Monson
Cambridge University Press eBooks (2019), pp. 58-62
Closed Access | Times Cited: 15
Virtual Worlds from Recording to Video Games
Isabella van Elferen
Cambridge University Press eBooks (2019), pp. 209-226
Closed Access | Times Cited: 15
Toward a History of Digital Music: New Technologies, Business Practices and Intellectual Property Regimes
Martin Scherzinger
Cambridge University Press eBooks (2019), pp. 33-57
Closed Access | Times Cited: 10
Brand Placement in Music Videos: Artists, Brands and Products Appearances in the Billboard Hot 100 from 2003 to 2016
Cande Sánchez-Olmos, Araceli Castelló‐Martínez
Journal of Promotion Management (2020) Vol. 26, Iss. 6, pp. 874-892
Open Access | Times Cited: 10
Sonic branding and the aesthetic infrastructure of everyday consumption
Susie Khamis, Brent Keogh
Popular Music (2021) Vol. 40, Iss. 2, pp. 281-296
Closed Access | Times Cited: 9
The Bonding of a Band and a Brand: On Music Placement in Television Commercials from a Text Analytical Perspective
Nicolai Jørgensgaard Graakjær
Popular Music & Society (2013) Vol. 37, Iss. 5, pp. 517-537
Closed Access | Times Cited: 6
Vaporwave is Dead, Long Live Vaporwave!
Adam J. Harper
Cambridge University Press eBooks (2019), pp. 119-123
Open Access | Times Cited: 5
Digital Voices: Posthumanism and the Generation of Empathy
David Trippett
Cambridge University Press eBooks (2019), pp. 227-248
Open Access | Times Cited: 5
The Morality of the Social in Critical Accounts of Popular Music
Andrew Whelan
Sociological Research Online (2014) Vol. 19, Iss. 2, pp. 1-11
Closed Access | Times Cited: 4
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