OpenAlex Citation Counts

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OpenAlex is a bibliographic catalogue of scientific papers, authors and institutions accessible in open access mode, named after the Library of Alexandria. It's citation coverage is excellent and I hope you will find utility in this listing of citing articles!

If you click the article title, you'll navigate to the article, as listed in CrossRef. If you click the Open Access links, you'll navigate to the "best Open Access location". Clicking the citation count will open this listing for that article. Lastly at the bottom of the page, you'll find basic pagination options.

Requested Article:

Why we like to watch sad films. The pleasure of being moved in aesthetic experiences.
Julian Hanich, Valentin Wagner, Mira Shah, et al.
Psychology of Aesthetics Creativity and the Arts (2014) Vol. 8, Iss. 2, pp. 130-143
Closed Access | Times Cited: 175

Showing 1-25 of 175 citing articles:

Ten years of a model of aesthetic appreciation and aesthetic judgments : The aesthetic episode – Developments and challenges in empirical aesthetics
Helmut Leder, Marcos Nadal
British Journal of Psychology (2014) Vol. 105, Iss. 4, pp. 443-464
Closed Access | Times Cited: 457

The Distancing-Embracing model of the enjoyment of negative emotions in art reception
Winfried Menninghaus, Valentin Wagner, Julian Hanich, et al.
Behavioral and Brain Sciences (2017) Vol. 40
Open Access | Times Cited: 340

Towards a Psychological Construct of Being Moved
Winfried Menninghaus, Valentin Wagner, Julian Hanich, et al.
PLoS ONE (2015) Vol. 10, Iss. 6, pp. e0128451-e0128451
Open Access | Times Cited: 323

What are aesthetic emotions?
Winfried Menninghaus, Valentin Wagner, Eugen Wassiliwizky, et al.
Psychological Review (2019) Vol. 126, Iss. 2, pp. 171-195
Open Access | Times Cited: 290

Measuring aesthetic emotions: A review of the literature and a new assessment tool
Ines Schindler, Georg Hosoya, Winfried Menninghaus, et al.
PLoS ONE (2017) Vol. 12, Iss. 6, pp. e0178899-e0178899
Open Access | Times Cited: 287

Openness to experience and awe in response to nature and music: Personality and profound aesthetic experiences.
Paul J. Silvia, Kirill Fayn, Emily C. Nusbaum, et al.
Psychology of Aesthetics Creativity and the Arts (2015) Vol. 9, Iss. 4, pp. 376-384
Closed Access | Times Cited: 249

Being Moved by Unfamiliar Sad Music Is Associated with High Empathy
Tuomas Eerola, Jonna K. Vuoskoski, Hannu Kautiainen
Frontiers in Psychology (2016) Vol. 7
Open Access | Times Cited: 174

It's Sad but I Like It: The Neural Dissociation Between Musical Emotions and Liking in Experts and Laypersons
Elvira Brattico, Brigitte Bogert, Vinoo Alluri, et al.
Frontiers in Human Neuroscience (2016) Vol. 9
Open Access | Times Cited: 160

The Pleasure Evoked by Sad Music Is Mediated by Feelings of Being Moved
Jonna K. Vuoskoski, Tuomas Eerola
Frontiers in Psychology (2017) Vol. 8
Open Access | Times Cited: 155

Toward a general psychological model of tension and suspense
Moritz Lehne, Stefan Koelsch
Frontiers in Psychology (2015) Vol. 6
Open Access | Times Cited: 150

Art-elicited chills indicate states of being moved.
Eugen Wassiliwizky, Valentin Wagner, Thomas Jacobsen, et al.
Psychology of Aesthetics Creativity and the Arts (2015) Vol. 9, Iss. 4, pp. 405-416
Closed Access | Times Cited: 134

An integrative review of the enjoyment of sadness associated with music
Tuomas Eerola, Jonna K. Vuoskoski, Henna‐Riikka Peltola, et al.
Physics of Life Reviews (2017) Vol. 25, pp. 100-121
Open Access | Times Cited: 121

The emotional and aesthetic powers of parallelistic diction
Winfried Menninghaus, Valentin Wagner, Eugen Wassiliwizky, et al.
Poetics (2017) Vol. 63, pp. 47-59
Closed Access | Times Cited: 120

Kama muta: Conceptualizing and measuring the experience often labelled being moved across 19 nations and 15 languages.
Janis Zickfeld, Thomas W. Schubert, Beate Seibt, et al.
Emotion (2018) Vol. 19, Iss. 3, pp. 402-424
Open Access | Times Cited: 114

Being moved by protest: Collective efficacy beliefs and injustice appraisals enhance collective action intentions for forest protection via positive and negative emotions
Helen Landmann, Anette Rohmann
Journal of Environmental Psychology (2020) Vol. 71, pp. 101491-101491
Closed Access | Times Cited: 105

Two types of peak emotional responses to music: The psychophysiology of chills and tears
Kazuma Mori, Makoto Iwanaga
Scientific Reports (2017) Vol. 7, Iss. 1
Open Access | Times Cited: 97

Empathic Concern Is Part of a More General Communal Emotion
Janis Zickfeld, Thomas W. Schubert, Beate Seibt, et al.
Frontiers in Psychology (2017) Vol. 8
Open Access | Times Cited: 89

Moment-to-moment changes in feeling moved match changes in closeness, tears, goosebumps, and warmth: time series analyses
Thomas W. Schubert, Janis Zickfeld, Beate Seibt, et al.
Cognition & Emotion (2016) Vol. 32, Iss. 1, pp. 174-184
Open Access | Times Cited: 88

MovingThrough the Literature: What Is the Emotion Often DenotedBeing Moved?
Janis Zickfeld, Thomas W. Schubert, Beate Seibt, et al.
Emotion Review (2019) Vol. 11, Iss. 2, pp. 123-139
Open Access | Times Cited: 78

Why and How Should Cognitive Science Care about Aesthetics?
Eugen Wassiliwizky, Winfried Menninghaus
Trends in Cognitive Sciences (2021) Vol. 25, Iss. 6, pp. 437-449
Open Access | Times Cited: 69

Corona Concerts: The Effect of Virtual Concert Characteristics on Social Connection and Kama Muta
Dana Swarbrick, Beate Seibt, Noemí Grinspun, et al.
Frontiers in Psychology (2021) Vol. 12
Open Access | Times Cited: 59

Being positively moved by climate protest predicts peaceful collective action
Helen Landmann, Jascha Naumann
Global Environmental Psychology (2024) Vol. 2
Open Access | Times Cited: 12

Neural signatures of shared subjective affective engagement and disengagement during movie viewing
Melanni Nanni‐Zepeda, Joseph DeGutis, Charley M. Wu, et al.
Human Brain Mapping (2024) Vol. 45, Iss. 4
Open Access | Times Cited: 8

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