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OpenAlex Citation Counts

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OpenAlex is a bibliographic catalogue of scientific papers, authors and institutions accessible in open access mode, named after the Library of Alexandria. It's citation coverage is excellent and I hope you will find utility in this listing of citing articles!

If you click the article title, you'll navigate to the article, as listed in CrossRef. If you click the Open Access links, you'll navigate to the "best Open Access location". Clicking the citation count will open this listing for that article. Lastly at the bottom of the page, you'll find basic pagination options.

Requested Article:

Joint action aesthetics
Staci Vicary, Matthias Sperling, Jorina von Zimmermann, et al.
PLoS ONE (2017) Vol. 12, Iss. 7, pp. e0180101-e0180101
Open Access | Times Cited: 87

Showing 26-50 of 87 citing articles:

Audiovisual Aesthetics of Sound and Movement in Contemporary Dance
Claire Howlin, Staci Vicary, Guido Orgs
Empirical Studies of the Arts (2018) Vol. 38, Iss. 2, pp. 191-211
Open Access | Times Cited: 24
Empathy, Entrainment, and Perceived Interaction in Complex Dyadic Dance Movement
Emily Carlson, Birgitta Burger, Petri Toiviainen
Music Perception An Interdisciplinary Journal (2019) Vol. 36, Iss. 4, pp. 390-405
Open Access | Times Cited: 23
Awareness of embodiment enhances enjoyment and engages sensorimotor cortices
Ryssa Moffat, Emily S. Cross
Human Brain Mapping (2024) Vol. 45, Iss. 10
Open Access | Times Cited: 2
Dance Like Someone is Watching
Emily Carlson, Birgitta Burger, Petri Toiviainen
Music & Science (2018) Vol. 1
Open Access | Times Cited: 23
Engaging With Contemporary Dance: What Can Body Movements Tell us About Audience Responses?
Lida Theodorou, Patrick G. T. Healey, Fabrizio Smeraldi
Frontiers in Psychology (2019) Vol. 10
Open Access | Times Cited: 21
Informing, Coordinating, and Performing: A Perspective on Functions of Sensorimotor Communication
Cordula Vesper, Vassilis Sevdalis
Frontiers in Human Neuroscience (2020) Vol. 14
Open Access | Times Cited: 20
Synchronicities that shape the perception of joint action
Luke Sebanz McEllin, Günther Knoblich, Natalie Sebanz
Scientific Reports (2020) Vol. 10, Iss. 1
Open Access | Times Cited: 19
Linking Audience Physiology to Choreography
Jiawen Han, George Chernyshov, Moe Sugawa, et al.
ACM Transactions on Computer-Human Interaction (2022) Vol. 30, Iss. 1, pp. 1-32
Closed Access | Times Cited: 11
Effect- and Performance-Based Auditory Feedback on Interpersonal Coordination
Tong‐Hun Hwang, Gerd Schmitz, Kevin Klemmt, et al.
Frontiers in Psychology (2018) Vol. 9
Open Access | Times Cited: 18
Kinematics of perceived dyadic coordination in dance
Martín Hartmann, Anastasios Mavrolampados, Emma Allingham, et al.
Scientific Reports (2019) Vol. 9, Iss. 1
Open Access | Times Cited: 17
Multimodal perception of interpersonal synchrony: Evidence from global and continuous ratings of improvised musical duo performances.
Kelly Jakubowski, Tuomas Eerola, Arwen Blackwood Ximenes, et al.
Psychomusicology Music Mind and Brain (2020) Vol. 30, Iss. 4, pp. 159-177
Open Access | Times Cited: 15
Negative emotions disrupt intentional synchronization during group sensorimotor interaction.
Andrii Smykovskyi, Stefan Janaqi, Simon Pla, et al.
Emotion (2023) Vol. 24, Iss. 3, pp. 687-702
Open Access | Times Cited: 5
Creative Togetherness. A Joint-Methods Analysis of Collaborative Artistic Performance
Vincent Gesbert, Denis Hauw, Adrian Kempf, et al.
Frontiers in Psychology (2022) Vol. 13
Open Access | Times Cited: 8
Dance Across Cultures: Joint Action Aesthetics in Japan and the UK
Ernesto Monroy, Toshie Imada, Noam Sagiv, et al.
Empirical Studies of the Arts (2021) Vol. 40, Iss. 2, pp. 209-227
Open Access | Times Cited: 11
Dance Is More Than Meets the Eye—How Can Dance Performance Be Made Accessible for a Non-sighted Audience?
Bettina Bläsing, Esther Zimmermann
Frontiers in Psychology (2021) Vol. 12
Open Access | Times Cited: 11
Art Knowledge Training Shapes Understanding, Inspires Creativity and Stimulates Thinking
Ionela Bara, Richard Ramsey, Emily S. Cross
(2024)
Open Access | Times Cited: 1
Making sense together: dance improvisation as a framework for a collaborative interdisciplinary learning processes
Lisa Nelson, Julien Laroche, Nara Miranda de Figueiredo, et al.
BMC Neuroscience (2024) Vol. 25, Iss. 1
Open Access | Times Cited: 1
Movement synchrony among dance performers predicts brain synchrony among dance spectators
Guido Orgs, Staci Vicary, Matthias Sperling, et al.
Scientific Reports (2024) Vol. 14, Iss. 1
Open Access | Times Cited: 1
Curiosity Emerging From the Perception of Change in Music
Diana Omigie, Jessica Ricci
Empirical Studies of the Arts (2021) Vol. 40, Iss. 2, pp. 296-316
Open Access | Times Cited: 10
Synchronization, Attention and Transformation: Multidimensional Exploration of the Aesthetic Experience of Contemporary Dance Spectators
Coline Joufflineau, Coralie Vincent, Asaf Bachrach
Behavioral Sciences (2018) Vol. 8, Iss. 2, pp. 24-24
Open Access | Times Cited: 10
Eye movements, attention, and expert knowledge in the observation of Bharatanatyam dance
Raganya Ponmanadiyil, Matthew Woolhouse
Journal of Eye Movement Research (2018) Vol. 11, Iss. 2
Open Access | Times Cited: 10
The Attraction of Synchrony: A Hip-Hop Dance Study
Colleen Tang Poy, Matthew Woolhouse
Frontiers in Psychology (2020) Vol. 11
Open Access | Times Cited: 10
Observing Synchrony in Dyads
Pedro Marques-Quinteiro, André Mata, Cláudia Simão, et al.
Social Psychology (2019) Vol. 50, Iss. 3, pp. 174-184
Open Access | Times Cited: 9
Time Experiences in Dance
Bettina Bläsing
Oxford University Press eBooks (2023), pp. 13-32
Closed Access | Times Cited: 3
Commentary: What Is Art Good For? The Socio-Epistemic Value of Art
Martin Skov, Marcos Nadal
Frontiers in Human Neuroscience (2017) Vol. 11
Open Access | Times Cited: 8

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