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OpenAlex Citation Counts

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OpenAlex is a bibliographic catalogue of scientific papers, authors and institutions accessible in open access mode, named after the Library of Alexandria. It's citation coverage is excellent and I hope you will find utility in this listing of citing articles!

If you click the article title, you'll navigate to the article, as listed in CrossRef. If you click the Open Access links, you'll navigate to the "best Open Access location". Clicking the citation count will open this listing for that article. Lastly at the bottom of the page, you'll find basic pagination options.

Requested Article:

Exploring the paradox of sad-film enjoyment: The role of multiple appraisals and meta-appraisals
Holger Schramm, Werner Wirth
Poetics (2010) Vol. 38, Iss. 3, pp. 319-335
Closed Access | Times Cited: 56

Showing 26-50 of 56 citing articles:

Spatial and bodily metaphors in narrating the experience of listening to sad music
Henna‐Riikka Peltola, Tuija Saresma
Musicae Scientiae (2014) Vol. 18, Iss. 3, pp. 292-306
Open Access | Times Cited: 21
The longitudinal influence of hedonic and eudaimonic entertainment preferences on psychological resilience and wellbeing
Leonard Reinecke, Rebekka Kreling
Frontiers in Communication (2022) Vol. 7
Open Access | Times Cited: 9
Why is Sad Music Pleasurable? A Possible Role for Prolactin
David Huron
Musicae Scientiae (2011) Vol. 15, Iss. 2, pp. 146-158
Closed Access | Times Cited: 15
Analyses of Physical and Psychological Characteristics of “Squid Game” Characters Using East Asian Biopsychosocial Personality Theories and Body Mass Index
Seokyung So, Danilo Garcia, Jeongyun Lee, et al.
Behavioral Sciences (2024) Vol. 14, Iss. 10, pp. 907-907
Open Access | Times Cited: 1
Hedonic and eudaimonic motives for watching feature films. Validation of the Spanish version of Oliver – Raney’s scale
Juan José Igartúa Perosanz, Isabel Matilde Barrios
Communications (2013) Vol. 38, Iss. 4
Closed Access | Times Cited: 12
A computational model of the cognitive impact of decorative elements on the perception of suspense
Pablo Delatorre, Carlos León, Pablo Gervás, et al.
Connection Science (2017) Vol. 29, Iss. 4, pp. 295-331
Closed Access | Times Cited: 12
The Experiential Mode of Media Reception: A Holistic Framework Concept
Felix Frey
Communication Theory (2018) Vol. 28, Iss. 4, pp. 487-510
Closed Access | Times Cited: 9
Testing Measurement Invariance of Hedonic and Eudaimonic Entertainment Experiences Across Media Formats
Carina Weinmann, Frank M. Schneider, Franziska S. Roth, et al.
Communication Methods and Measures (2016) Vol. 10, Iss. 4, pp. 248-257
Closed Access | Times Cited: 8
Portrayals of threatened needs and human virtue: a review of the content of eudaimonic entertainment
Anneke de Graaf, Enny Das
Annals of the International Communication Association (2022) Vol. 47, Iss. 1, pp. 55-83
Open Access | Times Cited: 5
How Do We Regulate Sadness Through Entertainment Messages? Exploring Three Predictions
Jinhee Kim, Mary Beth Oliver
Journal of Broadcasting & Electronic Media (2013) Vol. 57, Iss. 3, pp. 374-391
Closed Access | Times Cited: 6
Media Entertainment as Guilty Pleasure?
Leonard Reinecke, Adrian Meier
Oxford University Press eBooks (2021), pp. 204-230
Closed Access | Times Cited: 6
This Drives Me Nuts!
Stefano Triberti
Advances in psychology, mental health, and behavioral studies (APMHBS) book series (2016), pp. 266-289
Closed Access | Times Cited: 4
Consumer Emotions
Eduardo B. Andrade
Cambridge University Press eBooks (2015), pp. 90-121
Closed Access | Times Cited: 3
I hear what you see: Effects of audio description used in a cinema on immersion and enjoyment in blind and visually impaired people
Achim Hättich, Martina Schweizer
British Journal of Visual Impairment (2020) Vol. 38, Iss. 3, pp. 284-298
Closed Access | Times Cited: 4
Psychologie als Grundlagenfach der Medienwirkungsforschung
Sabine Trepte
Springer eBooks (2013), pp. 89-111
Closed Access | Times Cited: 3
Crying the pain away: the nature, measurement, and function of benign masochism
Samantha P. Spoor, Julia M. Hormes
The Journal of Social Psychology (2022) Vol. 164, Iss. 1, pp. 1-11
Closed Access | Times Cited: 3
TÜRK ANİMASYONUNDA BİÇİM VE İÇERİK İÇİN ALTERNATİF BİR YAKLAŞIM OLARAK JAPON “MONO NO AWARE” FELSEFESİNİN YENİLİKÇİ KULLANIMI VE “BEYTEREK” UYGULAMA FİLMİ
Çiğdem TAŞ ALİCENAP, Ece Sütiş
Sanat ve Tasarım Dergisi (2024), pp. 109-130
Open Access
Was ist eigentlich Unterhaltung? Annäherung an die Sphinx der Medienrezeptions- und Medienwirkungsforschung
Holger Schramm
Springer eBooks (2019), pp. 35-52
Closed Access | Times Cited: 3
Sad music and self-reflection
Liila Taruffi
Physics of Life Reviews (2018) Vol. 25, pp. 131-133
Closed Access | Times Cited: 2
Crossmodal Associations between Cinema with Elements of Comic and Tragic and Texture Touch
Marina Iosifyan
Art & Perception (2020) Vol. 8, Iss. 2, pp. 175-187
Closed Access | Times Cited: 2
This Drives Me Nuts!
Stefano Triberti
IGI Global eBooks (2016), pp. 271-294
Closed Access | Times Cited: 1
How Many Emotions Does Film Studies Need?
Julian Hanich
Projections (2021) Vol. 15, Iss. 2, pp. 91-115
Open Access | Times Cited: 2
The Multiple Mechanisms by Which Watching Dramas Can Repair or Enhance Moods
Chingching Chang
Journal of Broadcasting & Electronic Media (2022) Vol. 67, Iss. 1, pp. 21-46
Closed Access | Times Cited: 1
Goal oriented model for persuasive storytelling in improved game experience for elderly
Zhengxiang Pan
(2021)
Open Access | Times Cited: 1
MUSIIKIN HERÄTTÄMÄ SURU: ENNAKKOTIEDON, MUSIIKIN JA VIDEOKATKELMAN VAIKUTUKSET EPÄSUORIIN TUNNEMITTAREIHIN
Leena Visakova
(2014)
Closed Access

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